Left to right:
Jon Routson, Bootlegs [series title], 1999–2004; Timm Ulrichs, Kunst-Diebstahl als Totalkunst-Demonstration (Art-Theft as a Total Art-Demonstration), 1971; Janice Kerbel, Suit, 1999–2002; Allison Wiese, Untitled, 2002–ongoing; Savage, Stolen White Goods, 2005; and Ulay, Da ist eine kriminelle Berührung in der Kunst (There is a Criminal Touch to Art), 1976.
|